FINGERBOARDS
Ebony Alternatives for Violin, Viola, Cello and Bass Fingerboards
The violin fingerboards are one of the most important parts of a violin. They are the surface that you press your fingers on to produce sound. Traditionally, fingerboards are made of ebony, a hard, dense wood that is known for its excellent sound quality. However, ebony is becoming increasingly scarce and expensive, so many violin makers are now using alternative materials.
When considering material costs, ask yourself: is it truly costly, or merely expensive?
While alternatives might have a higher price tag, using ebony comes at a greater expense—harming the environment and contributing to its scarcity. True cost is about value, and we're confident these alternatives offer exceptional value in the long run.
Beyond Ebony: Why Choosing Alternative Violin Fingerboards is a Smart Move
We are all noticing a growing problem: the decline in quality and consistency of African ebony, the traditional material for violin fingerboards. While ebony holds a revered place in violin making, the reality is that its availability, quality, and ethical sourcing are becoming increasingly challenging. For better instrument making, be proactive in your material selection.
The once uniform, deep black color of African ebony is becoming a thing of the past. Light streaks, visible grain, porosity, and less-than-ideal compactness are now common, even in "selected" pieces. While these imperfections can sometimes be masked with stains and finishes, this approach raises several concerns:
Hidden Imperfections: Covering up flaws doesn't address the underlying issue of the wood's quality. Structural problems or inconsistencies might only become apparent later, affecting the instrument's sound and playability.
Ethical Concerns: The notice hints at the increasing likelihood of stricter CITES protection for ebony. This means that even if you find a visually perfect ebony fingerboard, its sourcing might be questionable, contributing to unsustainable practices.
Aesthetics vs. Performance: Focusing solely on achieving a perfectly black fingerboard can overshadow other crucial factors like resonance, feel, and long-term durability.